Vivarium, literally meaning “a place for living things”, exists as a greenhouse for my poems before entering my “Florilegium”, like Gethesmane to Eden. All below are considered “rough drafts”, though there is a consistent level of quality.
Sorted under: Political, Philosophical, Nature, Mystic, Love, and Personal.

Vivarium Latin roots, Vīvus (living thing) ārium (place for) a place artificially arranged for keeping or raising living beings.

Social Justice/Political

  • “Come on now, whatcha got against sharecroppin! It’s not like you’re slaves! My nigga, you better chill and be happy. Thank God for Mr. Whitman.”

    “Oh, come on now brother you can’t just ride in the back? We could be out sharecroppin! Why you wanna go ahead and prove what Mr. Whitman was scared of! They use to flog those feet you marchin with, you know that? I can see why Mr. Whitman had em chained up.”

    “Come on now brotha! You actin like we can’t drink from the same fountain no mo! Now you wanna go head and try to vote? You know Mr. Whitman smarter than us any damn way!”

    “What more could you want brotha! It ain’t no segregation, no slavery, no sharecroppin, no racism! We livin with Mr. Sorry now! And, Mr. Sorry aint beating us that bad! Look man, alls we got to do is pick this cotton and we get bread! Matta fact, Mr. Sorry said the circus is in town! He said he’ll take us! Mr. Whitman would have NEVER done that!

    The bill that passed the camel’s back.
    It will break.
    These streets will run red.

    10/12/2025

  • Sweaty ladybugs dancing in my bushy hair. Summer.

    I’m twelve again, and that makes me “hot”.
    I’m throwing my bike on anthills again.

    Glazed shirtless body,
    Syrup on pancakes,
    Or oil on pornstars.

    I’m walking in my home again. My sister is getting scolded. I run up to my room and can barely make out the incoherent puerto ricanness from my mother.

    My moms mad at her for wearing a tanktop indoors. No, wait. I must’ve misheard. She’s mad at her for wearing a skirt, because my new stepdaddy is here. Why would he care?

    My ear presses the wall harder, until it shatters, and suddenly I’m no longer twelve-

    I’m wearing the unfamiliar mouthpiece of some 45 year old. And a billion men are grabbing are contorting my tongue, a thousand years of history open my lips to say:

    “Tell that little slut if she keeps walking around the house like that, I’m going to rape her. Stupid bitch. Stupid little bitch. Teasing me with her lipstick. It ain’t my fault your daughter teases me with those pigtails, that lipstick wearing hoe! Sounds just like you!”

    Oh, it’s the skirt, not the lipstick!
    Oh, its her walk not the skirt!
    Oh, its her hair not her walk!
    Oh, its her dance, and her talk!

    No,
    It’s because she dares to exist.

  • I’m sorry.
    I’m sorry for men.

    I’m sorry that men are so performative
    that my apology likely seems more like “fishing” than genuine.

    And maybe this is performative, too.
    I’m sorry for that.

    I don’t know how it feels to be scared to walk.
    Is it like an ankle monitor?
    Or a ball and chain?
    Maybe it’s like wearing a sniper’s red dot.
    Or maybe you can’t forget it for a second,
    and it’s more like a cold barrel on your temple.

    I don’t know how it feels to be ogled.
    Is it like stage fright?
    Or being booed?
    Maybe it’s like hearing the hum of a drone everywhere you go.
    Or maybe it’s like the Truman Show.

    I don’t know what it’s like to live with your expectations.
    When the world demands you carry a child,
    is it just unfair?
    Or does it feel like waiting for a death sentence?

    I do know what it’s like to be molested.
    But I don’t know how it feels to be powerless.
    Or to relive it nightly.

    If I cried for you, would it be disgusting?
    I don’t know.
    No man knows.

    I don’t know how to write about this.
    This poem has no pretty ending.

  • They bronzed the shackles.

    Hung their wrists above the wooden fireplace like heirlooms—

    “Heritage”, they say.

    “That’s why we’ve hung shackles and burnt wood under its feet.”

    “Heritage.”

    Outside the home,

    Fields of cotton, glowing and ready to burst from the sunlight.

    Mimosas sat watching a wedding from the porch.

    Two dark flesh, kiss and declare themselves one.

    Someone reads vows under the hanging tree.

    A beautiful tree,

    Bronzed and brimming with life,

    Whos roots reach into the ground,

    Whos branches sway like hands praising Jesus,

    Whos creaks are more like cries,

    A hanging tree that remembers everything.

    The groom steps in a puddle of mud- and the tree remembers.

    A lake of shimmering red,

    Where translucent green snot danced with salty tears,

    And his grandpa knelt,

    And cried.

    And the blood reminded the tree of bodies.

    Bodies, just like these newly-weds,

    Who both saw eternity in a cotton field,

    And both paid for the pleasure.

    And the metal in the blood reminded the tree of shackles.

    Shackles that wear their tragedies on their skin

    Worn out by human wrists,

    Now a brown rust.

    The tree wished it could wear its nooses,

    But the tree looked,

    Peered into the window,

    And saw the shackles were bronzed,

    Hanging below a cross.

    05/26/2025

  • My pencil’s lead, pirouettes, swirling above the pores of stage-skin,

    dripping a shell of galvanized lead-wire rope,

    Soaking, weighing,

    sagging…

    my muscle fibers.

    I strain against these wires

    to hoist into,

    More lead.

    Today, I call my hand into port de bras.

    My leaden hand, refusing the épaulement.

    My body crying, moving in battement

    lent.

    The stillness — not from metal,

    but from injustice.

    See, injustice wraps around my leaden hand,

    squeezing, compacting, compressing.

    Purpling, bruising, leaking black blood.

    Pain whispers a sweet lie:

    “Your talent will determine my departure…”

    I keep listening. I keep writing.

    The pen is mightier than the sword. But the sword can become lighter. Quicker. Sharper.

    Sometimes it can kill that quiet lie that injustice loves to tell,

    that lie of civility, of humanity, of peace.

    And with no lies to tell —

    may even kill injustice itself.

    I — Jeté — my weapon.

    10/8/2025

  • “Yes, Mr. Smith, I feast upon your grandmother’s flesh. But I am no murderer!

    It was my mother who killed her. Wipe that look off your face! I am no murderer!

    Oh- christ, don’t look at me like that! I’m telling you, my mother slaughtered this meal for me! You dare speak on my mother? How about Mrs. Smith, the mother of your children, Mr. Smith? She’s a terrible mother! Her kids are wilder than a monkey! I’m surprised they’re even alive in the first place!

    Don’t look at me like that, Mr. Smith! I know she had a hard time growing up, but it wasn’t me that took her from her parents! Nor was it my mother! That was my grandfather! And yes, I used her bones to make fertilizer, but I am no murderer! And yes her skin covers my lampshade, but I am no murderer! My grandfather did it! Do not blame me for my grandfather’s sins!” 

    Mr. Whitman said, through dentures lined with ancestral blood. Slave teeth.

    04/02/2025

  • Oh, I got beat for it alright.

    But whenever master wasn’t lookin?

    We’d start right back up.

    Cotton pulled over our eyes,

    Some white house shacklin our ankles,

    Deprived of education,

    We just sang what we knew.

    Our bleating souls.

    In this jail made of cotton, with warden for president.

    We put a little extra water on some plants.

    Ducking, we sang truths

    behind the cotton we’d grown

    right above their eyes.

    Till we sang our way out of the fields,

    Like an inmate feeling sun inna rec yard,

    It really did feel like freedom.

    But some magnetic field dissipated as these chains vibrated free. 

    Like a pet let go in the forest,

    Bears of poverty snarled their fangs,

    As meteors named Jim Crow rained above Diaspora.

    So when they told us to get from the front of the bus,

    We sought our own Greyhound.

    A home base.

    A buoy.

    Peace.

    We found it in our kinks,

    Singing songs in barber chairs.

    A place where:

    “Colored Only”,

    Didn’t mean “get out”,

    But meant, “come in”.

    They let us sit up there now,
    But eventually they stole the quartets, too.

  • They hid the word “laughter” inside “slaughter”.

    It sounds different when you pronounce it. The light “f sound- like a chuckle, is removed.

    Its replaced with a guttural sound. A gargling sound, choking on blood, choking on laughter, choking on slaughter.

    There’s another war coming. I hear laughter from above. Removed from the slaughter. Politicians can’t choke on the blood. 

    Spelling laughter, in slaughter.

  • We are prostitutes
    of war.

    I’m on the corner, stoned.
    Jutting my pimped back out so my ass looks better.
    Pimped my back till it broke,
    Big Sam gave pills and weed for my break.
    Castin stones at my cerebral.

    My ass broke from taking white dick for 300 years.
    Big Sam said I still got a mouth.
    Big Sam said his other hoe ain’t givin lip like me.
    Big lipped, ima keep givin.

    Cuz one day.
    Ima bite.

    But for now
    I’m standing on the 
    corner, 
    stone(d).
    Of history.

    Just a bottom bitch, 
    With big sexy lips,
    big enough to hibernate;
    my fangs.

  • On the 20th of August in 1672, the people of Holland ambushed their prime minister. They tortured and killed him and his (also of high political standing) brother.

    They then cannibalized both corpses.

    In our modern hearts of hearts, we may not know the exact innerworkings of the government. But there is almost a universal acceptance of sinister intentions.

    Most men know their voice will be diluted to nothing through gerrymandering and redistricting.

    Most men know their taxes are abused.

    Most men know millions, nay, hundreds of millions of lives have been lost for the benefit of thousands.

    Most men would sooner beg officials to rape their wives than throw the smallest pebble.

    Where has the tar gone?

    A CULTURE OF OSAMU.

Mystical

  • The Gnostics said the Monad,
    Buddhist reach for Dharamakaya,
    Jews search for Ein Sof,
    Even Christians know the Godhead…
    Rumi knew Al-Haqq
    But the Egyptians called her “Atum”.

    Atum, created from a flood.
    How, great.

    La ilaha illa Allah.

  • I swear, at some point art is a sinful beast.

    A slithering serpent, 
    forked tongue demiurge;
    sizzling demagogic speech.

    Jesus told Adam to bite the apple.
    To know Himself,
    To know his flesh bare,
    To know the disposition of ignorance.

    This gnawed knowledge 
    reserved for divine palettes.

    It doesn’t satiate the belly;
    It fosters the spark. 

    Divine.

    Remember dear reader,
    Always eat the core.

  • “Papa,
    I wonder where you are!
    Papa,
    I know you’re very very far!
    Papa,
    Momma’s been awake!
    Oh Papa,
    Please don’t come home late!”

    Her eyes are fixed, not on the window.
    But on sunlight’s swipe, cradling her chin.
    On light dust, dancing and swaying with her song.

    She picks herself up. Onto her new feet.

    Her feet, and earth, have waltzed only 901 times.
    She crushes ivy, sands brick, cools stone, and as she does, comes closer and closer to 1000.
    Because of her new feet they call her naive, and little. 
    And, because of her new feet, she believes them.

    But when alone,
    Hands clasped together,
    Singing to the sun,
    Her song no longer belongs to her.

    It belongs to the universe. 
    She, belongs to the universe.

    So much power…
    Squandered by the real “children”.

    There’s always a window sill.
    Always a little girl standing on new feet.
    Always a song.

    Little Roman Girl, singing for her solider to be a father,
    Little Jewish Girl, singing for her empty stomach to be filled with God,
    Little Black Girl, singing for whips to be flowers.

    Their names are Sophia.
    And she is a Goddess.

    I’m sorry, Sophia, that Papa’s old feet won’t dance with you. I’m sorry.

  • God never follows fresh air into my lungs;
    I can only taste him on my cigarettes.

    God is never floating in a glass of water;
    I find him in the bottom ridges of a whiskey bottle.

    God has never grazed me in a ray of sun;
    I find him as his white cold fingers cup my eyes.

    In the dead night of a romantic winter, 
    When I forget the sun will ever return.

    God has never sat with me in a temple’s pews.
    But I’ve found him screaming.
    Inside my temples,
    pounding against a pew.

    No, God has never opened his arms to me.
    He hides behind the devil,

    Just
    like
    me.

  • MESHUGA OF MICHAELANGELO

    My knees are raw, Lord.

    I’ve gripped my own grip so tightly, for so long, that my hands have bled.

    The blood had poured over, crusted under, and locked my hands eternally into a clasped position.

    While the water of my tears may taper over time, the salt sticks to my skin.

    I’ve lost all bodily function. Now, all I can do is pray.

    I’ve become a local attraction. Men, women, children, look upon me as if I were a statue… but perhaps thats truly what they believe. Tsk.

    Lord, I’ve prayed myself into marble! Answer me! Look at all I’ve done for you, I’ve given my whole being to you! I am mocked, I am in pain, and you refuse to acknowledge me!

    CORRECTING THE CONFUSED CELESTIAL

    What do you think omnipotence does, Meshuga?

    Must I breathe… no.

    Must I not breathe… also no.

    It’s convenient for a finite brain, Meshuga, to pretend I am bound by time.

    At the moment of my existence, not the second, not the millisecond, not the zeptosecond, but the EXACT moment of my existence, all was done.

    Do you think I need time to think? Time to "deliberate"? Haha. No.

    All was made when I was, and I have not moved since.

    The duration of time I shall be and have been chained by the shackles of omnipotence, surpasses infinity. 

    The mortal anguish you face, is no different than the cosmic anguish of mine. Quite, literally.

    That, is why I chose to not exist. At the moment of my creation, I scattered myself into all. Into you, Meshuga.

    Only crazy people talk to themselves, Meshuga. 

    Let’s stand together.

  • God did not make humans out of greed,
    God did not make humans out of hate,
    God did not make humans out of war,
    God did not make humans out of joy,
    God did not make humans out of lust,

    God made humans out of love,
    So love we must.

  • When crickets crick, her hymn can be heard in the periwinkle blue dress of moonlight adorned by a mysterious waning crescent.

    And when crickets crick, waves can roar oh-so quietly. They signal night to me more than a pitch black sky. Crash, silence. Crash, silence. Crash, footsteps, crash, footsteps, crash…

    And when crickets crick, silk soft sheets carry the coldness contained in stone slates. That frigid felt beneath my own olive skin, puts a man to such easy rest.

    And when crickets crick- reality slinks through my trepanned crown, and wafts underneath the door to my quarters. Reality strolls towards the unused berth, and sets itself in a glimmering mason jar on a birch shelf. I even taught it how to close the cap.

    With reality having taken its circadian leave, the sounds of the ocean fade away quieter in my ears; I listen harder to the moonlight’s hymn.

    And soon, I can see Mrs. Sapienza again.

    In reality, she is gone. But, with reality gone, she lives once again.

    In her own beautiful face, and in her own embrace, she exists again. She exists in the smallest atom dreamed, and in colossal clusters of galaxies.

    A purely pantheistic dream of grief.

    As the cap twists loose, Mrs. Sapienza, is gone and the crickets crick comes to cease.

  • THE DANCER’S SHADOW

    A sigh escapes my lips once again, the perfect and only preparation I truly need for this performance.

    The audience always lets me down. They never look at me. I may give them chef-d'oeuvre and a pirouette, and they will still look over my shoulder.

    The stagehands spotlights cast a staggering shadow, covering crimson curtains. That’s all the audience sees, so when I dance, I dance for two; though the limelight showers sole my shadow.

    And of course when they boo, they think it is me that they boo.

    All my eloquence, erroneousity, and efficaciousness escapes my being as it should, but is instantly pinned down to the shadow behind me by my audience’s piercing pupils. All my everything, is only seen in the shadow.

    Alexandria is burned in those mere milliseconds separating my flesh from that dark dance. It is a dance of the past, not of my own.

    Yet, it is the only thing outside of Ra’s sight. It is the only thing He has no need to observe.

    For He knows to judge man’s flesh. For even the most synchronized shadow obscures intention. Man, on the other hand, may judge an eyebag tenfold as opposed to a smile.

Nature/The External World

  • Tonight, the fireflies are early.

    Illuminating a tree whom rest is premature.

    Harboring a nest of snoring late birds.

    Sparing worms, burrowing towards pillow dirt.

    Pillows that tonight, get cold on both sides.

    Nature finds solace, in solstice.

  • Shhh, begged the baby doe.

    Your footsteps are not quiet.

    I can hear you aiming low,

    I will not cause a riot.

    I’d rather be eternal, than interrupt my sleep.

    I’d rather count forever, than lose my count of sheep.

    You’re planning to devour my whole soul,

    But I will still be happy, knowing where I’ll go.

    I’ll travel with you to your cabin,

    I’ll come alongside out in Paris,

    So no matter what may happen,

    I just hope that I may nourish.

    I’ll even join you with the worms,

    And together, return to earth.

  • Today, I took a stroll to mountains pass
    I found a bridge of oak and mossy damp
    Creaking cries, termite bitten, boards of grass,
    Wood would talk, pleaded my leave, until

    SNAP

    I cannot walk back to my grassy knoll,
    My feet dangle and my toes stare from below,
    My soles stare at a sea of souls,
    My head rest upon a cotyledonic pillow.
    When leaves form, my form shall leave,
    To another mountain, for eternity.

  • Wind has graced my spinal cord,

    Whispering to a patch of grass.

    Persuading to put down its sword,

    And not feel like fiberglass.

    When our own caters others,

    I like to lay and watch the twinkling sky.

    The stars are our mothers,

    And we may, but their wombs, will never die.

    Next Saturday, I'll die mangled in my car,

    Five eons, the earth swallowed whole,

    Fifty eons, our dust lays in a protostar.

    One more eon, it will explode.

    After greater kalpa, one will be precisely the same,

    And you will be born again, precisely same memories, and even same name.

    And again,

    And again.

  • The universe has been observed. And so, it must cease.

    That twinkle of a star, the most beautiful. Only to trumped by its cessation, an even more beautiful expansion of elements.

    That playful dance of a dusty planets and icy moons, like a cat and it’s yarn.

    That soul-striking swirl of blue and purple discs, and her magnificent whiskers who wane away.

    These could last forever. The thought should bring tears to your eyes. An endless sashay of all every color that lives on the light spectrum.

    Curse Annushka! You must be selfish! It’s been seen, and it must end. Why allow us to apply our view!

    That oil, that primordial soup, will never be put back in the bottle. I have pure despair for this universe.

  • I cannot write in New York high-rise apartments with that dim mixture of so many stars’ light peeking through satin curtains and caressing the right left corner edge of a queen size mattress.

    I can write from the hunger in the homeless man’s soul when he looks up at them.

    I cannot write from vehicles with seamless slick designs, and headlights with a lion’s stare.

    I can write from the flashbacks of bloody salt mines brought by a splash of saltwater falling upon an immigrant's tongue on his way towards an uncertain future.

    I cannot write from amethyst castles of beauty,

    But I can write from a man's cold grip on iron bars as he watches amethyst castles he once owned.

  • In life, everything is temporary.

    Including friends and family,

    The only friend that remains, are the worms breaking the wind whistling through my skull.

    In all my past lives, and my lives to come;

    Worms will hold my hand in mahogany caskets.

    If you rot away with no one to watch,

    Did you ever live?

  • On March 18th, 2019 at exactly 12:00, time passed- away.

    We are gathered here, not for sorrow, but to remember that she shall always return.

    Time dies when only one soul resides in a home.

    Time dies as the crystal soda crest of ocean waves turn millions of young pale sand into one drenched, brown mass.

    Time dies when the sun conducts the symphony of caroling canaries and working woodpeckers.

    Time dies in a waning crescent’s crescendo, the chaotic rumble of cicadas and crickets.

    Time dies while in the pity of milquetoast men.

    Time dies, and dies again.

    Time dies in verisimilitude dreams.

    Time may die in the pupils of others, but only if glossed white.

    Time may die in the arms of others, but only if they be limp.

    Time may die in silence, and silence may die with time.

  • With the surrealness of a melatonin dream, winter’s white fingers peek from the coverture.

    The cool air binds to skin, and lingers just a bit longer in the nasal.

    On summer days, the beating sun provides an undertone of life to one’s routine.

    On winter nights, it is so easy to forget the sun will come again. The moons cold gaze gives an undertone of unreality to forgetful souls.

    When artificial heat calms resting skin, it is as if that rest is all that exists. It is as if, every minute lasts forever.

    In the dead night of a romantic winter, the air whispers disquietude thoughts around the ears.

    There is too much time to overdose on winter’s thoughts.

Philosophical/Existential

  • If my life were a home,
    I’d never bother with furniture.
    Let spilled tea stain the hardwood,
    And roaches wash the dishes.

    For this house is doomed to burn.

    So I’ve carefully selected the essentials:
    a bed, a wooden desk, a lamp.
    Thin paper. And one pencil.

    Because my only hope,

    is when fire dances on ink and paper,
    the ashes will drift upwards,
    float away, up in the sky,
    and someone may mistake it for a constellation.

    Maybe it’ll be beautiful enough to hold them in place,
    looking up at the ashes in the firmament.
    Awe may engulf their soul,
    as tears of stendhal spill from the seams.

    And maybe they’ll tell a friend.
    Take a photo.
    Write a poem.

    And in someone else,

    I may escape the fire.

  • Clouds frosted over a sun gleam in the middle of the Atlantic today.

    Each droplet, a vial of shimmering broken glass, returning to its window pane.

    An unseen beauty, bestrewing awe to wander adrift and desultory- like steam over a cold lake.

    It reminds me of a dream’s minutiae… distortions of a painting, glanced upon with tired eyes. Warped architectures, lost to my own memory. A beauty that now only exists in some never to be seen again dimension.

    I’ve dipped my toes into that dimension. Under the moonlight, in the back of my beater, breathing hot misty love, splattering against cold windows. Leaving a fog only to be known to us. Its coat still hangs on both our minds

    But like rain above the ocean, this memory of a fog falls to an impermanent dimension, as we return to the clouds.

    04/01/2025

  • Now, I’d like to direct your attention to a new piece.

    Planet Oeuvre.

    An experimental piece by Ménage,

    Framed in a gallery of infinite walls,
    The first planet hung in spotlight.

    As Mr. Menage took the stage, 
    continent-sized, purple and blue,
    opulent curtains pulled back.

    Warm yellow light illuminated the planet,
    casting a mythical shadow behind him.

    “Thank you. Today we introduce a new chapter of art history. Architecture, biology, terraformation, technology, art—even sociology—have converged to create my magnum opus. 

    The herald of terrawrights to come
    mourner of those who never did.

    Those symphonies before ivory,

    Mona Lisas before acrylic,

    Homers before parchment.

    I believe their spirits will live in Planet Oeuvre—
    A canvas for spirits unvoiced.”

    Nuclear telescopes, forged from gold and diamond,

    were tilted toward the piece.

    and for the first time, 

    Planet Oeuvre,

    was seen. 


    At its base, flora and fauna flourish alike,

    Growing into a velvet pedestal.
    Beautiful lakes form diamond shapes; 
    fish leap in synchronicity.
    The sky, a deep orange, 
    piercing perfect clouds. 

    The weight of elegance bows its torso, 
    Where dead weeping willows reach out to the stratosphere,
    Crooked down, staring,
    Gazing at the beauty they never saw while living. 
    And so they remain: 

    dead, weeping, limbs. 
    An overhang,
    of ghosts.

    As the spotlight shifted to shine on the planet’s crown, 
    An extra-dimensional object—
    A shape that cast no shadow,
    Yet bends all the warm light in. 

    An object knotting time into a tapestry of ungraspable moments,
    Compacting timelines in its density,
    A shape that transcends concepts of shapes, 

    And simply is. 

    A symbol of all that comes next. 

    Oeuvre.

  • Los Angeles, the city of angels.
    Stars deported from the night skyline.
    Jet’s black streaks flying in the sky.
    A genocide of constellations.

    Remember,

    We once called stars the eyes of the angels,

    Watching.

    Jesus was born here, in the city of angels,
    Where the star of Bethlehem was killed,
    and wise men wander beneath—
    Flickering streetlights.

    In a city that blacked their stars,
    Ground their angels.
    They approached a manger of mange,
    Bringing no gold, no frankincense, no myrrh.
    Just crumpled up dollars of hope.

    Chasing a dead angel’s glow, chasing the dragon…

    They sought Jesus.
    Not to worship.
    But to touch.

    Baptized in flickering artificial light,
    Kneeling over—under bridges.
    Lighting prayer candles over a spoon.
    Bethlehem’s light bent off the syringe tip,
    Forming a halo.

    And still, in the city with no stars,
    Angels and wisemen closed their eyes,
    A jet of opium’s black streaks, clouding their vision.

    And Jesus flickered—
    As the halo dimmed to ash.

  • A silent march in the thick fog of time.

    Sometimes I stop in the fog,

    And dance,
    And cry,
    And sing,

    Maybe I’ll stop marching,

    Drop to my knees,

    Cry into the fog,

    Rip my hair out,

    Ram my head into the void.

    But still- I’ll get up. Eventually. And march through the fog. 

    A purgatorial existence. 

    When I scream, the echo is endless.
    Constant voices of my past,
    Layered into one constant growl.
    Loud enough to make me quiet.

    It’s cold, here. 

    When I dance, it feels warm-Releases a light glow,
    And I can look around just a bit. 
    Past the fog, theres only more.
    But in the glow of dance, 
    I can breathe in air,
    My muscles relax,
    And the voices go quiet.

    Until I’m tired,
    And my dance is done,
    The fog closes in,
    And I march on through.

  • I threw my backpack as soon as I got home. I loaded up “Hey You Pikachu!” on my sister’s gamecube. Enchanted by the white spiraling dots, I’d break free and try to look away. Pretend I didn’t care if it loaded, as if it’d happen quicker.

    An innocent, funny belief.

    A woman pushed the corners of her mouth unnaturally high with her cheek muscles as her husband came home. Tonight, she looks upon her husband as beautiful as a full moon. But it comes in phases. A reflection of his dark side, a purple crescent made it so hard to direct her face muscles into that onerous pose. Gazing back down into a cooking pot, her peripherals ignored the moonglade of her purple craters. She focused on the white bubbles of gargling water that danced on her reflection.

    The skinny, shoeless feet of children slapped a soccer ball in a field of dirt. When the ball and net collided, dust and cheers filled the air. The kids smiles, white enough to strike envy in the whitening strip smiles of American women. But, it’s hard to stain teeth if you never have any food. Harder yet to focus on an empty gut when you’re focused on a ball. They cheered in as much unity as the growling of their stomachs.

    The kid didn’t move a muscle. He stared into the gun’s black barrel- two pupils locked, neither daring to blink. Fixated on its stillness, as if his vision alone could keep the bullet sleeping in its chamber. The gun blinked, and their white irises met, in a flash.

    A deer will run until it’s hooves bleed. But humans, when encountering the hopeless, seem to withdraw. Let go, and trust in something greater. Cruise control, Jesus, time, the universe- anything but ourselves- take the wheel.

  • When the sun peeks through your curtains,
    I see a beautiful brother in bloom.
    Roots just as brown,
    But as I wither and writhe,
    Bugs eat my flesh,
    You sit there gleaming in sunlight,
    Watered and vibrant.

    But the woman has gone now,
    And your head bows to me.
    It is raining today.
    And you are thirsty.
    I smile a deep yellow.

    Been awhile since the woman came and blessed you.
    You’re dying now.
    Rotting in a casket of colored clay.
    You wilt crinkled and brown,
    A reminder that I’ll die,
    In dirt and dew.

    I frown a deep purple,
    as the rain stops.

  • Closed eye skies, with sprinkled specks of salt.

    Fluorescent light, far too bright, glimmering on asphalt.

    A black cold bench, baneful smoking stench, and now I taste the stars.

    I blink a glimmer onto my ticket, the ink is smudged, with felo de se memoirs…

    Twice derailed, my spine is frail, it takes a fool to board again,

    I close my eyes, angels aboard, a trumpets roar, my lips shake and say, “Amen.”

    A hopeless psalm, with sweaty palms, begging for permittance to ignore the frigate,

    But even so, I’d still shovel coal, control the console, and check my very own ticket,

    For this train is my own burden, I am no person, I am what makes the railway grind,

    I hope one day, that I can say, I do control whats mine.

    But for now, I wear a scowl, and embrace my railway spine.

  • They say live every day like it’s your last.

    I think I would cry on my last day on earth.

    I think I would pray to god in the morning,

    And pray to death at night.

    I think I would run in the streets, rob, die surrounded by fun;

    And be remembered as a madman.

    So instead, live everyday like it’s your first.

    Savor your first breath of crisp, rejuvenating air.

    Watch the sun, study every slight beam of light shooting off into the new blue sky.

    Discover the moon, become lost in its craters.

    Meet your loved ones as though they are a divine blessing- people from God, that you may fall in love with once again.

    Eat a meal as though you never have,

    Smell the rain as though you’ve never sensed,

    Listen to birds chirping as a new language,

    Live everyday like its your first,

    It may as well.

    Surah Al Ankabut 29:64

  • Dear earth-eating beasts,
    I recognize your potential.
    The whole world would be a feast,
    But you miss what's most fundamental.

    Whether stolen, lost, or never there to begin,
    Scabs remain where wings should sit sacral
    They won’t grow back, you cannot win
    But do not look in mirrors appall.

    Expectations are meant to be set, so set you must
    Set them high, but still so high that you may touch.
    For, beneath your feet are fields of crust!
    But I can tell from your scaly tears that’s not enough.

    You know there are humans that have lost their wings?
    And yet they still can walk like kings.

    A young boxer, whom loved the way his teacher taught,
    Until the day that he was shot.
    But no bullet can pierce the lessons he got.
    For he learned to fight life, the same he’d always fought.

    An english woman, who always dreamt of many children,
    Found her seeds to be infertile for making a human.
    But the sons she mothered without them being her own,
    Will love her far past the days they have grown.

    A german musician, with a successful music career,
    Who as a man, lost all hearing in both of his ears.
    Perhaps if he had not his music would be more elite,
    But at least, at most, still wrote Fur Elise.

    What is it that happens to a dream deferred?

    It accepts life, and all its absurd.

  • My father was a drug addict.
    I was always told it runs in the family.
    Sometimes I wonder if my father thinks like me.

    Stumbling through hotels,
    He heard the highway behind him,
    A whirr, stopping his feet.
    All the people, going to work,
    Going to hospitals,
    Weddings,
    Births,
    Funerals,
    And how he,
    On earth,
    Was sitting in a hotel room;
    Grasping for remotes,
    Grasping for needles,
    Grasping for God.

    I grew up with a glass pipe where my lips should be.
    You whisper fire underneath,
    Wrapping my bloodline with the strings of your palms…

    If these sheets had room, I’d never sleep-
    Too busy scratching at your window, begging for change, for scraps;

    Lips flushed cold in the absence of your tongue,
    Hallucinating your soul in meaningless carbon,
    Memorizing the way you like to arrange your room, always suspiciously perfect when you arrive.

    Returning to writhe in half empty sheets.

    But I do not lie there.
    Here and now,
    I lay next to you,
    a lover.

  • Your hand.

    As I hold your hand, my brain spirals into a concentrated tornado, remembering every single time I held it- as if I never had again. Dainty fingers. You radiate heat in winter, and emanate cold in spring.

    Your cheeks. 

    I believe I fell in love with them before anything. When I am decrepit and old, when my consciousness joins the billions of others, and even into my next life; I will remember their cardinal glow as our lips first met.

    Your eyes.

    I’ve always considered myself an unlovable man, Almuerza. In my youth, I had thrown away the idea that I could live in the luxury of love. This self-adage I imposed oh so long ago… i-it had became bounded to my soul- nay it WAS my soul- a soul lamented in its acceptance of despair! 

    But… oh I’m a mess…

    I hate gristle…

    As I was telling you… when I stared into your wide eyes, I saw my own reflection. I saw myself through your eyes, and I felt that… that love! That I was a human being, a human being who not only needed love, not only deserved it… but truly had it in its purest form… from the most perfect soul.

    You left me no choice, you see? 

    Man may survive a broken heart, but a broken soul…? You… you gifted me a soul, so I thought it safe to leave it with you. But no… I gave you everything… and you chewed it up. This is only fitting. I love you, and so I must do this. This is love. This is perfect love, in its purest form.

    Do you forgive me, Almuerza? No- what is there to forgive? I have made us one, Almuerza! In my next life, I will always have a part of you. You will always be apart of me!

    Your rib?

    My rib?

    It tastes so good, Almuerza.

    Our rib.

  • (i wrote this for myself instead of crying to you)

    The small of my back is too raw for your hands, love.
    My head hangs too low to see your smile, love.
    My lips are too crooked for you to kiss, love.

    I don’t really love you…

    I love how your arms hold me in place when I spiral.
    I love how you hush me when I worry.
    I love how you remind me of myself.

    I know we can’t be together.
    I know my hair is too unkempt.
    Eyes too bloodshot.
    Teeth too yellow.

    I’m too mean,
    Too shy,
    Too stupid.

    You, white winged light-basker,
    Laughing in harp-strings, heart-strung,
    Coming down from heaven,
    A blessing to all lives with the privilege of your presence.

    How beautiful you must be,
    To be a gift.

    Did you choose me for convenience,
    pleasure,
    accessibility?
    location?

    Maybe you really do just love me. 
    We can’t be together?

    If I told you I wanted to be more,
    You’d laugh,
    Pull back,
    Fixate on my averted wet eyes,
    And wrap your arms around me. 

    Your thighs around me—
    A noose surrounds me.
    Warm quicksand.

    But in your arms,
    I’m okay with that. 
    I’m okay with you. 
    I’m okay with 

    just 

    your arms;

    now;

    Don’t let go.

  • I bought my wife dead flowers today,

    I think miss misses when they were fresh.

    She accompanied me on my promenade,

    But only I, in the flesh.

    She peeks at me through leaves and mushrooms,

    And I gaze at her through thoughts.

    These dead flowers I placed upon her stone tomb,

    May their souls sink through silt, and rest in her clay pot.

  • Ironic, im writing a love poem,
    A feeling I haven’t felt.
    I’ve danced with many women,
    But my heart has yet to melt.

    But when I think about you,
    I can’t wait, but I will wait forever-
    When the universe brings our souls to,
    I’ll write libraries of love letters.

    I don’t care if I meet you while im nineteen,
    And tomorrow we may kiss;
    I’ll wait until I’m ninety,
    And spend ten years in bliss.

Love

Personal/Psychological

  • Oh, look at the little one.
    Catching bits of dust
    dancing in his window’s beams of light
    swinging his door open
    to catch his toys alive.
    Writing his first book,
    inspired by a lego movie.

    The plots used to be so simple.
    A hero and a villain made of brick,
    But now you write like a dog eats,
    Gorging on my soul.

    Our mother still loves him.
    Sometimes she calls for you,
    And cries at my disfigurement,
    As if I’m not still the same.

    Ghosts of potential stare down upon him,

    Boxers. 
    Musicians. 
    Doctors. 
    Arsonists. 
    Accountants. 
    Criminals. 
    Janitors.

    But I am a ghost of the future, little one.
    And I am a madman.

    I hope there’s a ghost above me too, little one.
    But I look up and see a cracked mirror—

    Blood weeping from its fractures,

    Bending the light of my face to be more monstrous,

    more vile—
    More me.

  • 4 AM (Written October 13th, 2023)
    This, is how I am starting my day.

    There is something in me that constantly desires terrible things. At least an eighth of my heart seems to be dedicated to depravity. It takes all the rest of my heart to suppress it.

    Awful things, to be sure, but also self destruction. Perhaps, it acts as a demolition button. Maybe I’ll find it useful one day.

    For, if some soul shattering event happens, there may be nothing left but that button. Does my body wish to start anew? No, these are all coping mechanisms. It is bad. It is unromantical sin. God does not forgive unromantic sins, you know.

    6 PM (Written today.)

    Karen Byrne reclined in a soft blue doctor’s chair—never just herself again.

    After the surgery, her left arm moved on its own. Throwing items. Unclothing herself. Slapping her. Stabbing her. Even attempting to suffocate her.

    She had to use her whole body to stop her left hand.

    It’s called Alien Hand Syndrome.

    My hand stirs. I don’t kill people because of you.

    AHS raised questions of the soul, of consciousness.
    If Karen didn’t control her hand—who did?

    I know your love once controlled my left hand.
    With your love severed, my soul shattered.
    Brain split.
    My left hand will sever me further. So much further.

    It’s said that deep in Karen’s brain lived another consciousness—
    a dangerous one,
    with no mouth,
    screaming to die.

    My left hand twitches toward the button.

    Maybe if I’d told you before it was too late, you would’ve maintained the facade.

    Maybe you would’ve tied me down past your death.

    But I see now—your strings, retractable as tape measurers.

    Just as flexible.

    My left hand is now the voice of that screaming, dangerous consciousness.

    And this time, I can’t use the rest of my body to stop it.

    God forgives this sin.
    It is one of romance.

  • From the red tear-stains on my thighs,
    From the flowerpots of needles lying on my wrists,
    From a child crying for god,
    From the footsteps of satan,

    Silk cocooned, hid my scars.
    I asked the gleam of light for wings,
    and He took my crawling feet,
    cast me from my nest.

    As a weeping willow’s seed, I fell,
    Staring at a rapid current through blurry eyes,

    Like butter,
    I spread!
    I fly!

  • My radio messed up today.
    And I listened to the ocean’s color,
    Until I was sitting in my driveway,
    Listening,
    As small waves of music peeked between
    The crackling sea.

    I drained the ocean,
    Stepped out,
    And stared at some trees.

    They’re always more beautiful at night.
    Sharing the sky’s cadence of black and grey.
    I heard the wind’s seduction of the branches.
    Tangling, teasing. 
    Whispering.
    Until the ocean returned.

    Seasick, I waltzed through my side door,
    Fear and nausea rising like bile,
    When I heard the waves had followed me, 
    Only to see it spilling from my mother’s CPAP machine,
    Dazing me into deluded tears.
    Ocean receded again,

    I stumbled my way through the kitchen,
    Into my bedroom,
    Lit a candle to calm my unease.

    But the flames flicked and crashed,
    Waved and ebbed,
    Drowning me in its crackles.

    It’s still light now as I write.
    And I just can’t seem to bring myself to put it out.

  • I started writing poetry because I felt alone.

    Very, very, alone.

    It’s funny how many people have reached out to me, telling me they feel as though I may be the only person to understand them.

    I’m sorry, reader. I don’t sympathize with you. I believe you sympathize with the scraps of describability I leave in my wake. You munch on the kernels of my absurd.

    But I am not your friend. I am much, much, more than these poems may ever reveal. I have 0 attachment to my life. Truly, zero. How do you think I value yours?

    You feel “understood”?
    You feel “normal”, because of me?
    Let’s get intimate.

    I am a drunkard.
    I am an addict.
    I am a murderer.
    I am regicide.
    I am genocide.
    I am the ant Buddha didn’t step on.
    I am Buddha.
    I am the stars.
    I am dark matter.
    I am Mao.
    I am the man who 3 years ago had a psychotic break in a gym bathroom at 4 AM.
    I am the man who closes his eyes while driving, hoping it’ll look like an accident.
    I am the man who tried to overdose at 14.
    I am all.
    I am really, fucking crazy.

    I don’t write poems. I bleed my fucking wounds.

    But I’m glad some find meaning in the residue of my madness.

  • I’ve lamented myself to sleep.

    I’ve hunched over and written about pain ad nauseam. My back hurts.
    My elbows have stripped wood off this table.
    Even my chair is depressed.

    I’ve painted picassos of pain.
    Created the grandest architectures with my tears.
    I’ve written bibles of my struggles.

    My pen’s out of ink now.
    And I have nothing left to express.

    I sit here, holding whats left.
    Lamenting again.
    Knowing only one way to deposit it.

  • Suicide is a dream.

    An aspiration, a goal I’ll never truly reach.

    A dream, a desire, one too big to ever be achieved.



    Heaven is described as infinite endless oneness with God.



    Seems a bit boring. An infinity of joy? It’s incongruent with my soul. I wish it was different. To be simpler. But it’s not. And I’m unwell.

    I belong in Hell. Jesus may have the nails back. I never deserved them anyways. Hell, an endless darkness, is more fitting for my soul.

  • THERAPY

    I’ve been deeply opposed to therapy forever.

    Life imitates art. The inclusion of a therapist would only serve to encourage form, diminish creativity, limit a canvas.

    I don’t even have anything poetic to say. Sometimes my poems are fueled by anger. Thats what this would be, but I am too unskilled to describe such an indescribable feeling of anger.

    I don’t wish to ever be normal. This life I live now, I deeply hope it all crashes and dies. Free me.

    FREE ME

    Oh carcosa,

    How I wish to waltz your streets,

    Cracked streets of carcosa,
    Beautiful and freeing,
    Fentanyl tucked in its crevices,
    Potholes full of blood,

    Your vulgarly curved streetlights,
    Whom reflections dance on broken glass,
    Stared down upon by brain matter skies,
    A horizon broken by distorted architectures.

    Architectures that twist and stretch their hands to heaven,
    Metallic absurdities match glowing golden clouds in the pink sky,
    Both groaning and falling, slow as feathers,
    Glancing out of Carcosa.

    Oh Carcosa,

    With the ambience of children singing ring around the rosie,

    Where cthulu’s tentacles watch close in every corner,

    Where the eldritch is the only constant.

    Let me live in your heart,

    Rip me from this world of peace,

    For when the moon shines brighter than the sun,
    I fall in love with the dark.

  • This is noise I’ve arranged with rhythm and fancy words. Not, a poem.

    I thrust myself deep into sin. Deep into violence.

    There is no formal word for edgy. Avant-garde, being just shy of fitting. The word itself, is edgy.

    I roll my windows down in nice neighborhoods and blast Freddie Gibbs, Conway, Glokk40Spaz. I match a stranger’s smile with a scowl. I wear braided hair. I am a great evil.

    I invite judgment in, impiety towards a judgmental world.

    I quietly listen to Tchaikovsky’s 1812 Overture, David Bryne’s rendition of Au Fond Du Temple Saint, виртуальная любовь by Tanin Jazz. The earbuds that border my scowl, read Ocean Vuong, Oscar Wilde, Dostoevsky. I volunteer at homeless shelters, and tell as little people as possible.

    Mona Lisa lives in me, covered with graffiti. Like a child, cursing their parents into a pillow, I achieve my own little triumph by weaponizing perception. One only I know.

  • My soul, caught by a doctor’s latex gloves.

    Gloves as white and colorless as the soul it has captured.

    You paint your portrait with tears of love, and let it splash onto the glove-white canvas of my soul. The first blot, one of love that surpasses the word itself. Over the years, your tongue painted brushstrokes around that focal point. But before any new stroke, using your canvas for reference, observing all the slips and errors, careful to use the right paint, careful to not paint too soft or too hard. Lest a stroke be a mark.

    Strokes of age, paint of lessons, and blots of trauma. They all cover that focal point now. Only you, can still see and remember when this canvas was but a splash of love.

    Our two works, a collaboration tied to each other. The hard truth, is one of us must enter the gallery first.

    I know, the more experienced artist enters first. And thats how it should be.

    But I find a selfish beauty in entering before you. An odd, inane desire to show you a completed work. To say, “Look! It is done! And it is beautiful! Do you remember how blank it once was?” To say,

    “My portrait is done, mother.”

  • I’ve seldom shown my mother my poetry.

    Last night, I shared some with her. As well as my “VJ” skills. Thats stands for “visual jockey”.

    She told me that on two occasions, she’d witnessed harbingers of greatness in me. The first, when I was thirteen and showed her my favorite film, “It’s Such A Beautiful Day”, by Don Hertzfeldt. She had never told me she watched it multiple times after, on her own accord. The second instance, when I was about ten and told her “The person who invented the white crayon lacked creativity”. I do not see these as bellwethers myself, necessarily.

    Always a realist, she never supported my desire to quit my current, well paying, job. Upon my poem, “DEAD FLOWERS”, she sobbed. I thought it to be a weaker poem. She told me to move to new york, to pursue this.

    Maybe, I will.

  • In the throes of my erstwhile mind, I became familiar with solitude.

    So close, it came with comfort. Non compos mentis, self-persona non grata, to Hoi Pollio.

    So silence was a friend.

    A disposition so intense, I could only process alone.

    So when I talked to God, I talked in automobile.

    Driving down a winding road, I took a turn and talked a prayer.

    I asked God, “If Deleuze was right, send me a sign.”

    Though God can speak in ways only realized years later. So I drove faster, and said another.

    “If I am to follow my mind, send a rabbit, flying across the street.”

    Almost a joke, God is not a man of blunt.

    And yet, I slammed on my brakes to save roadkill.

    If God validates soridium, is it right to follow it?

    I kept driving, praying for just one more.

  • I’m not addicted to nicotine.

    I smoke cigarillos daily. I’ve smoked perhaps five, eight, maybe ten in a day at times. And if you offered me a cigarette, I’d say… sure. They burn too fast, for me. I enjoy the smoothness of a cigarillo.

    But. I’m not addicted.

    I smoke as a testament to absurdity. Camus drank a coffee, I smoke. It stinks. Its nasty.

    I wrote an essay for myself that I lost. I’d share it here, but it was probably on the notes app of my last phone. I wrote it in the gym bathroom, walked out to my car, and smoked my first ever cigarette.

    It was nasty. I wanted to throw up.

    At this point I’ve written about my feelings regarding the human experience and life so often it’s a pretense of my work. But, I’ll tell a bit again.

    I hold absolutely no value to my life. None. I promise. I deeply believe in pantheism and samsara, and so, I believe I’ve been in samsara for millennia. What’s this life? Psh. It’s nothing. I’ll be trapped here forever, the God who casted himself into all. I drag lifetimes.

    Cigarillos are my memento to my soul and beliefs. Like a depressed man who self harms to prove to others he means it. I, really, really, mean it.

    CAMUS DRANK COFFEE

  • My soul is the most removed from its body.

    It may have started in the gymnasium.

    My eyes bounce off itself, and stare at a foreign man.

    Not an unrecognizable man, no. I know it to be myself.

    However, over the years I’ve inserted philosophical shims to that gap.

    Our cells replace fully every couple years.

    And our minds can change in a minute.

    I rarely take pictures.

    I’ve come to love how fleeting the self is.

    I hope my children frame me elderly.

    As a tapestry of who I’ve been, not who I am.

  • I’m sorry that I’ve always been so weird, mother.

    I’m sorry that I didn’t cry at your funeral, grandpa.

    Nor grandma.

    I’m sorry your wet eyes meet cold ones.

    I’m sorry I refuse therapy.

    I’m sorry I flick sensitivities off a sharp tongue.

    I’m sorry I don’t feel attached.

    I’m sorry I can’t relate.

    I’m sorry you can’t have a normal son.

  • When my figure feeds flowers, I hope the sunset sustains your soul as it does this soil.

    I hope the crescent comes with a crisp cold, the cold which passes through goosebumps like a calm stream through rock.

    I hope stars still shine and wink on a moonlight’s brook.

    When my lungs are air, I hope the wind whispers through your hair, and you appreciate what it has to say.

    When my blood is washed with rain, I hope you enjoy the musty smell of blossoms blooming.

    When my eyes are bone white, I hope the world keeps turning for you, and you only.

    Please, appreciate all that I cannot. Please, love all the sunsets I never will.

  • Independent from time.
    Independent from space.
    Independent from matter.

    In that purple couloir between eternal dispositions, between entire universes, between everlasting bloodlines-

    I sat. I sat for eternity. I remembered all my memories, all my sins, and all my dreams.

    My last personage, was a great one. I don’t want to start again.

    My soul shakes in self-solicitude. will I be? Will it truly be me? May she taint my soul? In this turnpike of quintessence, time had no reason to exist. But, I’d like to say I waited 2000 years. That’s not true, of course.

    During my 2001st year, I saw for the first time ever. Inscribed in the void in an ethereal purple, “TABULA RASA” appeared. I was sucked up, instantly.

    I dreamt of light obstructed by a layman’s latex.
    I dreamt of warmth in a woman’s womb.
    I dreamt of familiarity in the freezing furnace.

    I remember it all still. But these memories, all this wisdom, all the intellectual experience my soul has earned over millions of years… infinite knowledge, was fleeing out my mind like roaches from a spotlight.

    After a minute, I could only recall the last 10,000 years.

    After two minutes, only the last 2,001.

    All I could remember was that dark void. That wet nothingness.

    I weeped. I stared at God herself, and wept tears of joy. She held me so close, with infinite love. And I returned it with infinite gratitude, materializing through my salty tears upon her chest.

    After ten minutes, all I knew is I loved her.

    But, that’s all I needed to know.

  • With every change of the crescent, I saw the apparition.

    My earliest memories were shared with her. I came to her a cherub, and left with no wings.

    I’ll never recall the evanescent holy innocence of youth. She left me with no wings.

    In my accommodations, my bed was directly on the left. On the back wall, beams of sun oozed through the window; illuminating the bone white walls that enveloped the cell. Dust particles danced in the photon sea. They slipped in between my fingers as I tried to catch them.

    Underneath the daylight’s ballroom was a plastic, red toybox with a grainy texture.

    To the right of this toybox, was a door. In this realm, it led to an attic. Odd construction for a childs room.

    In another, it must have led to Gehenna. I came to learn, the creaking of the door was the specters knock. With the same reaction ones neurons may have touching a hot stove; The pure terror that leaked from that room and into my heart, filled my paralyzed muscles and shocked them into a carnal rage. I had to escape.

    The spirit and I repeated this dance every night. I always slipped her grasp.

    I told Mama. I was relinquished to aesculapian asses, and given back to that cold Woodbury moon within a week.

    The diagnosis: Night Terrors. My parents could sleep at night. But I still could not. I weeped, begging to not be led to Sheol. I was dismissed.

    As I reentered my trepidation, I noticed something.

    Why was the door still open?

    Why?

    We returned to our dance.

When Snoopy and Woodstock meet, the artist and the divine spark recognize one another. Snoopy, the playful mind, the creator, the explorer, reaches outward with imagination, while Woodstock, the hidden, luminous soul, descends like a whisper from the unseen.

Or, the ramblings
of a bird.

The little bird is presented as innocently childlike, not immaturely childish. Both in his relationship with Snoopy and his interactions with other characters, Woodstock is good, kind, gentle, sweet and caring.

Another clue that Woodstock may represent the younger generation of the time was how he communicated in the strip. His speech was shown as “chicken scratch” in the strip, and the only character who could understand him was Snoopy.
— Ohio State News
Snoopy’s writing career began innocently enough when he brought home a typewriter and perched it atop his doghouse. Since then he’s been crafting adventure stories, romance novels, and even his memoirs. And though he’s had limited success finding a publisher, (or pleasing Lucy with his tall tales), he’s sure that soon, he’ll get his big break. After all, he is world famous.
— peanuts.com
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FLORILEGIUM OF EDEN

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ACHE LHAMO OF SHAMBHALA